FOLK AND TRIBAL ART FORMS OF INDIA IN CONTEMPORARY ART AND DESIGN

Authors

  • Palak Baijal Research Scholar, Department of Drawing and Painting, Faculty of Arts Dayalbagh Educational Institute (Deemed to be University) Dayalbagh, Agra, India
  • Dr. Lucky Tonk Assistant Professor, Department of Drawing and Painting, Faculty of Arts Dayalbagh Educational Institute, (Deemed to be University) Dayalbagh, Agra, India

DOI:

https://doi.org/10.29121/granthaalayah.v14.i2SCE.2026.6723

Keywords:

Indian Folk Art, Tribal Art, Contemporary Art and Design, Digital Art, Textile and Fashion Design, Traditional Motifs, Cultural Sustainability

Abstract [English]

This paper presents the rich heritage of Indian folk and tribal art forms and culture. Art traditions such as Madhubani, Warli, Gond, Patta Chitra, Bhil and other folk and tribal practices have historically served as powerful visual expressions and are now being reinterpreted to address present day cultural, political and technological contexts.
The study examines how traditional folk and tribal art forms of India are adapted and integrated into contemporary art and design practices. It explores the transformation of traditional motifs, symbols, borders, color schemes, and compositional styles within modern creative fields such as digital art, textile and fashion design, product design and mixed-media artworks. Though visual analysis and selected examples, the paper highlights how artists and designers creatively integrate traditional aesthetics with modern materials, techniques, and conceptual frameworks while preserving cultural authenticity.
The fusion of art and design further emphasizes the impact of modern technology and digital tools in revitalizing folk and tribal art forms. Digital platforms, design software and online marketplaces enable artists to experiment with innovative materials, and contemporary design processes. These tools have broadened creative possibilities, allowing traditional motifs to be reinterpreted in new mediums such as sustainable textiles, contemporary fashion, home décor, and multimedia installations. At the same time, the paper considers the challenges of maintaining authenticity and the cultural integrity of these art forms while engaging with global audiences and commercial markets.
The study concludes that the integration of Indian folk and tribal art forms into contemporary art and design contributes to cultural sustainability and creative innovation. By bridging tradition and modernity, these art forms continue to evolve while maintaining their cultural significance, relevance, and aesthetics richness, ensuring their continuity and resonance in an increasingly globalized and interconnected world.

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References

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Swaminathan, J. (1991). The Tribal Art of India. Lalit Kala Akademi.

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Published

2026-04-08

How to Cite

Baijal, P., & Tonk, L. (2026). FOLK AND TRIBAL ART FORMS OF INDIA IN CONTEMPORARY ART AND DESIGN. International Journal of Research -GRANTHAALAYAH, 14(2SCE), 416–422. https://doi.org/10.29121/granthaalayah.v14.i2SCE.2026.6723