PETROGLYPHS AND PILLARS: A COMPREHENSIVE STUDY OF ROCK ENGRAVINGS AND SCULPTURES IN NORTH GUWAHATI, ASSAM

Authors

  • Guptajit Pathak Assistant Professor, Department of History, Kanya Mahavidyalaya, Geetanagar-781021, Guwahati, Assam, India

DOI:

https://doi.org/10.29121/granthaalayah.v8.i10.2020.6498

Keywords:

Petroglyphs, Rock Engravings, Sculptures, North Guwahati, Archaeology, Cultural Heritage, Assam, Historical Artifacts

Abstract [English]

Situated on the northern banks of the Brahmaputra River, North Guwahati is an important but little-studied archeological area in Assam. Numerous stone sculptures and carvings (petroglyphs) that represent various religious, cultural, and artistic traditions spanning several centuries may be found in the vicinity. These sculptures and petroglyphs are significant not only for their aesthetic and symbolic value but also for their capacity to shed light on early Assam socio-cultural and historical dynamics  (Hazarika, 2018, pp. 45-49).

These sculptures and engravings of rocks have not gotten any systematic scholarly attention, despite their importance. Smaller and scattered petroglyphs have not received enough attention because earlier research has mostly concentrated on important temples and historical locations.² In order to provide a thorough cultural and historical map of North Guwahati's lesser-known legacy, the current study conducts an extensive assessment of these rock inscriptions, carvings, and pillars to examine their creative styles, motifs, religious affiliations, and spatial distribution.

In order to understand the historical context of these monuments, this study also highlights the significance of combining archaeological evidence with oral traditions and local tales. The research aims to contribute to cultural tourism, heritage preservation, and a wider understanding of Assam's ancient and medieval history by recording and examining the petroglyphs and sculptures. It also highlights the importance of these tangible and intangible cultural resources for both academics and local communities.

Downloads

Download data is not yet available.

References

Barpujari, H. K. (1992), Cultural Heritage of Assam. Spectrum Publications, pp. 189–193.

Barpujari, H. K. (1992), Cultural Heritage of Assam. Spectrum Publications, pp. 189–193.

Barua, B. K. (1996). Cultural Heritage of Assam: Art, Religion and Folklore. Spectrum Publications, p. 212.

Bhattacharya, N. N. (2005), Religious Culture of Northeast India. Munshiram Manoharlal Publishers, pp. 59–63.

Choudhury, R. D. (1985), Archaeology of the Brahmaputra Valley, Assam: Pre-Ahom Period. Assam State Museum, pp. 72–73.

Choudhury, R. D. (1985), Archaeology of the Brahmaputra Valley, Assam: Pre-Ahom Period. Assam State Museum, pp. 68–72.

Choudhury, R. D. (1985), Archaeology of the Brahmaputra Valley, Assam: Pre-Ahom Period. Assam State Museum, pp. 68–72.

Dutta, B. (1996), Folklore and Society in Assam. Assam Sahitya Sabha, pp. 121–125.

Hazarika, M. (2018), “Rock Art in Northeast India: History and Interpretation.” Journal of Northeast Archaeology, pp. 45–49.

Neog, M. (1987), Early Indian Sculpture and Iconography: Assam and the Northeast. Motilal Banarsidass, pp. 103–110.

Neog, M. (1987), Early Indian Sculpture and Iconography: Assam and the Northeast. Motilal Banarsidass, pp. 103–110.

Neog, M. (1993), Early History of Kamarupa. Punthi Pustak, pp. 148–149.

Sarma, S. (2007), Studies in the Archaeology of Assam. Bina Library, pp. 214–219.

Sharma, M. M. (1990), The Inscriptions of Ancient Assam. Lawyers Book Stall, pp. 45–46.

Downloads

Published

2020-10-30

How to Cite

Pathak, G. (2020). PETROGLYPHS AND PILLARS: A COMPREHENSIVE STUDY OF ROCK ENGRAVINGS AND SCULPTURES IN NORTH GUWAHATI, ASSAM. International Journal of Research -GRANTHAALAYAH, 8(10), 299 –. https://doi.org/10.29121/granthaalayah.v8.i10.2020.6498