Trickster figures are absolutely universal and they are creations of human collective unconsciousness. And advantageously as well disadvantageously they are not defined (confined) by any single characteristics as they are multifaceted entities, multiform beings and polytropos, with the accumulation of different qualities/features (such as ‘astuteness’, ‘ambivalence’, ‘wit’, ‘clever’, ‘cunning’,...
Folk art and craft comprises art created by indigenous cultures, peasants, and other common individuals. It is frequently learned through rigorous apprenticeships or passed down from generation to generation within families. The patterns, themes, techniques, and materials of folk art and craft must have specific importance and convey a great deal about the culture or civilization to which they...
The practice of handloom weaving holds significant historical and cultural importance for the Bodo community, serving as an integral aspect of their socio-economic fabric for countless generations. In addition to engaging in agricultural activities, the Bodo community, along with the wider rural and semi-urban population of India, have traditionally pursued handloom weaving as a secondary...
Aesthetics, the philosophical perspective that guides the interpretation of an art or its elements for beauty and taste, is not as a simple tool as it appears to be, and its complexity rests on its association with multiple principles and concerns. As located by Immanuel Kant in his The Critique of Judgement Kant (1790/1928), the presence of faculty of judgement consists two parts: ‘critique of...
Aesthetics, the philosophical perspective that guides the interpretation of an art or its elements for beauty and taste, is not as a simple tool as it appears to be, and its complexity rests on its association with multiple principles and concerns. As located by Immanuel Kant in his The Critique of Judgement Kant (1790/1928), the presence of faculty of judgement consists two parts: ‘critique of...
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