TOPIC: FROM NARRATIVE TO NUDITY: THE RISE OF VOYEURISTIC WEB CONTENT AND THE DEATH OF STORYTELLING ON INDIAN OTT PLATFORMS

Authors

  • Gulshan Kumar Rawat PhD scholar, Amity School of Communication (ASCO) Jaipur, Rajasthan, Pin code 303002, India
  • Dr. Pallavi Mishra Associate Professor, Amity School of Communication (ASCO) Jaipur, Rajasthan, Pin code 303002, India
  • Dr. Priyadarshini Kiran Assistant Professor, Department of journalism and mass communication, Banasthali Vidyapith, Rajasthan, Pin code 304022, India
  • Pranoy Naskar Assistant Professor, Department of Mathematics and Statistics, Banasthali Vidyapith, Rajasthan, Pin code 304022, India

DOI:

https://doi.org/10.29121/shodhkosh.v7.i12s.2026.8338

Keywords:

Voyeurism, Erotic Web Content, Indian Web Series, Narrative Disjunction, Erotic Spectacle, Objectification

Abstract [English]

The present study examines the digital storytelling landscape on Indian Over-the-Top (OTT) platforms, focusing on the rapid rise and continuous expansion of voyeuristic web content. It explores how traditional narrative structures are increasingly displaced by erotic spectacle. It signals a potential ‘death of narrative’ in selected Indian voyeuristic web series. The study uses Narrative and Gaze Analysis (NGA) as its methodology. NGA is based on a seven-parameter matrix developed through inductive coding. These parameters emerged from the data and were supported by theories from media studies, sexuality studies, and feminist visual culture. The study looks at how the stories are told, where the sexual content is placed, how it is placed, how the sound is designed to achieve voyeuristic aesthetics. All these elements were organized into categories to see what patterns and themes came up across the selected series. The study examined themes such as Absence or Simplification of Plot, where storytelling becomes weaker because erotic content is given more importance; Voyeurism, where visual pleasure is prioritized over meaningful narrative; Objectification of Characters, especially the portrayal of women as sexual objects; and Moral and Ethical Representation of Sexuality, where sexual behaviour is shown as acceptable, taboo, or socially transgressive. Findings suggest a paradigmatic shift where narrative depth goes down and sensationalized sexual imagery becomes dominant in such web content.

References

ALTBalaji. (n.d.). Gandii Baat. ALTBalaji Originals. Retrieved April 22, 2026, from https://www.altbalaji.com

Attwood, F. (2006). Sexed up: Theorizing the sexualization of culture. Sexualities, 9(1), 77–94. DOI: https://doi.org/10.1177/1363460706053336

Atwood, B. (2016). When the sun goes down: Sex, desire and cinema in 1970s Tehran. Asian Cinema, 27(1), 127–150. DOI: https://doi.org/10.1386/ac.27.2.127_1

Banerjee, A., & Jha, S. (2013). Video viewing behaviour in the era of connected devices. Communications & Strategies, 92, 123–140.

Chatman, S. (1978). Story and discourse: Narrative structure in fiction and film. Cornell University Press.

Doane, M. A. (1982). Film and the masquerade: Theorizing the female spectator. Screen, 23(3–4), 74–87. DOI: https://doi.org/10.1093/screen/23.3-4.74

Electronic Sources

Evans, C., & Gamman, L. (1995). The gaze revisited, or reviewing queer viewing. In S. Melville (Ed.), Vision and visuality (pp. 13–28). New Press.

Field, S. (2005). Screenplay: The foundations of screenwriting. Delta.

Fredrickson, B. L., & Roberts, T.-A. (1997). Objectification theory: Toward understanding women lived experiences and mental health risks. Psychology of Women Quarterly, 21(2), 173–206. DOI: https://doi.org/10.1111/j.1471-6402.1997.tb00108.x

Ghosh, A. (2012). Bhojpuri cinema: Between yesterday and tomorrow. South Asian History and Culture, 3(1), 70–80. DOI: https://doi.org/10.1080/19472498.2012.639519

Guest. (2020, December). COVID-19: OTT platforms go over the top amid pandemic. Financial Express. https://www.financialexpress.com/opinion/covid-19-ott-platforms-go-over-the-top-amid-pandemic/2149267/

Inc42 Team. (2020, July). India’s emerging erotic OTT market flourishes amid pandemic. Inc42. https://inc42.com/videos/inc42-shots-indias-emerging-erotic-ott-market-flourishes-amid-pandemic/

Jha, L. (2020). Streaming sites gain from adult content during COVID. Mint. https://www.livemint.com/news/india/streaming-sites-gain-from-adult-content-during-covid-11595232814075.html

Keesey, D. (2012). Contemporary erotic cinema. Kamera Books.

Kipnis, L. (2006). How to look at pornography. In P. Lehman (Ed.), Pornography: Film and culture (pp. 118–132). Rutgers University Press.

Kooku. (n.d.). Saali Aadhi Gharwali. Kooku Originals. Retrieved April 22, 2026, from https://kooku.app

MX Player. (n.d.). Mastram. MX Player Originals. Retrieved April 22, 2026, from https://www.mxplayer.in

Mehta, R. (2021). Algorithmic erotica: Streaming desire in Indian web series. South Asian Popular Culture, 19(2), 127–142.

Mini, D. S. (2019). The rise of soft porn in Malayalam cinema and the precarious stardom of Shakeela. Feminist Media Histories, 5(2), 49–68. DOI: https://doi.org/10.1525/fmh.2019.5.2.49

Mulvey, L. (1988). Visual pleasure and narrative cinema. In C. Penley (Ed.), Feminism and film theory (pp. 57–68). Routledge.

Nagpaul, D. (2022, February 21). Why are local Indian streaming platforms so full of erotic content? An investigation. VICE. https://www.vice.com/en/article/4aww9q/sex-india-fantasies-culture

Pillai, S. (2015, March). The magic on the wane. The Hindu. http://www.hindu.com/thehindu/fr/2002/08/23/stories/2002082300170100.htm

Rajadhyaksha, A. (2020). Pornographies of domesticity: New media erotics in India. BioScope, 11(1), 1–17.

Sharma, P., & Jha, R. (2020). Youth consumption of bold web content: A survey analysis. Journal of Media and Society, 12(1), 45–60.

Ullu. (n.d.). Charmsukh. Ullu Originals. Retrieved April 22, 2026, from https://ullu.app

Ullu. (n.d.). Palang Tod. Ullu Originals. Retrieved April 22, 2026, from https://ullu.app

Ullu. (n.d.). Riti Riwaj. Ullu Originals. Retrieved April 22, 2026, from https://ullu.app

VKA. (2017). How Bhojpuri cinema went from ‘family friendly’ to ‘soft porn’. Youth Ki Awaaz. https://www.youthkiawaaz.com/2017/04/evolution-of-bhojpuri-cinema/

Williams, L. (1989). Hard core: Power, pleasure, and the “frenzy of the visible”. University of California Press.

Van Zoonen, L. (1994). Feminist media studies. Sage.

Downloads

Published

2026-05-25

How to Cite

Rawat, G. K., Mishra, P., Kiran, P., & Naskar, P. (2026). TOPIC: FROM NARRATIVE TO NUDITY: THE RISE OF VOYEURISTIC WEB CONTENT AND THE DEATH OF STORYTELLING ON INDIAN OTT PLATFORMS. ShodhKosh: Journal of Visual and Performing Arts, 7(12s), 66–79. https://doi.org/10.29121/shodhkosh.v7.i12s.2026.8338