https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/issue/feed ShodhKosh: Journal of Visual and Performing Arts 2024-07-01T04:45:11+00:00 Editor ShodhKosh editor@shodhkosh.com Open Journal Systems <p>ShodhKosh: Journal of Visual and Performing Arts is a half-yearly journal of visual and performing arts, in which research papers are published in Hindi and English language. This journal combines all topics related to Arts. The main objective of the journal is to make academics, scholars and students studying all aspects of arts. Through the journal, we want to provide the form of a repository by collecting all research papers related to the subjects of all arts. And this is our main objective.</p> <p>Editor-in-chief:<br>Dr. Kumkum Bharadwaj (Associates Professor (HOD) in Fine Arts, Maharani Laxmibai Girls P.G. College, Indore, India)</p> <p>Managing Editor:<br>Dr. Tina Porwal (PhD, Maharani Laxmibai Girls P.G. College, Indore, India)</p> https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1207 ANALYZING INTENTIONAL PATINATION ON INDIAN SCULPTURES IN THE CONTEXT OF AGE, IMPERFECTION AND MATERIAL HIERARCHY 2024-06-28T06:27:39+00:00 Aashu Chawla aashuch21@gmail.com Giriraj Sharma giriraj.sharma@iisuniv.ac.in <p>A layer of patina gets acquired over surfaces with the passage of time and usage. The ever-expanding definition of patina has been discussed in fields like chemistry, philosophy and aesthetics. Intentional patina is a process employed by sculptors to alter the surface of their artworks artificially without the risk of material damage. This paper aims to take a deep dive into explaining the fascination around patina. It discusses various aspects of aging, decaying, wear and tear, and alteration of visuals to explain its aesthetics. The paper takes post-modern and contemporary Indian sculptures as examples to illustrate its findings. It was found that intentional patina can undoubtedly add the context of time and environment the art was presumably exposed to. Variation in opacity, color, and texture of the patina can be used to celebrate imperfections and textures on the surface. There is also a break in the material hierarchy, choosing emotional attachment to a material over newer, polished finishes.</p> 2024-06-28T00:00:00+00:00 Copyright (c) 2024 Aashu Chawla, Dr. Giriraj Sharma https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1173 LOK NATYAS OF RAJASTHAN: NARRATING FOLKWAYS 2024-06-30T12:15:42+00:00 Santosh Kanwar Shekhawat santoshkshekhawat@gmail.com <p>This research looks at Rajasthani lok natyas through the lens of their narrative content. The two major natya forms- Khyals and Rammats are explicitly taken into consideration in this study. The research draws from live lok natya performances at local lok natya festivals, recordings of Khyal and Rammat performances available with private collectors or on the internet, and Rajasthani literature on this genre available in the local dialect and in Hindi. The lok natyas provide a genuine and an all-encompassing picture of folkways, aiding in the comprehension of the intricacies and wisdom of indigenous people. Reflecting the socio-cultural, political, ideological, psychological, and religious attitude of the folk, the lok natyas delve deeply into the fabric of folk life. They exhibit the folk culture, customs, dharma (the right action, a way of life), rituals and ceremonies, and folk perspective on life. Drawing inspiration from mythology and history these natyas cover a broad range of themes, including gender study, multiple truths, green ideals, communal social obligations, and dichotomies in life. There is much to learn, examine, and unpack about the lok natyas as a cultural achievement. It is important to acknowledge the universality ingrained in this cultural manifestation as well as its distinctiveness, specificity, and otherness.</p> 2024-06-30T00:00:00+00:00 Copyright (c) 2024 Santosh Kanwar Shekhawat https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1092 EXPLORING THE INTERSECTION OF CHROMOTHERAPY AND FASHION-FORWARD THINKING 2024-06-29T06:24:45+00:00 Apeksha Tallam mokanaadevreddy.98@gmail.com Mokanaasri E mokanaadevreddy.98@gmail.com <p>Chromotherapy, often known as colour therapy, has profound therapeutic, psychological, and spiritual implications that impact people's feelings, actions, and general well being. This article explores the complex interrelationship between colour and fashion, looking at its theoretical foundations, historical antecedents, and real-world applications. Chemotherapy has used colour to aid healing and harmony since ancient times. According to the field of fashion psychology, colour is essential for communicating emotional, political, and social themes as well as for defining personal style and society conventions. Textile colour symbolism represents cultural values and identities from many countries and eras, underscoring Colour's continuous significance in fashion. Furthermore, people are using colour therapy into their personal styling and wardrobe selections more and more, taking use of its psychological benefits to improve their mood and sense of self. The notion of "dopamine dressing," which highlights how clothes can elevate one's mood, highlights the healing effects of clothing colour choices. This paper provides a qualitative analysis of the topic and examines how color therapy has developed, especially with regard to photochromic dye in Textile materials. It also consists the secondary sources, the topics Swhich includes healing properties of a colour, application methods, opportunity in chromotherapy in future. This research focuses on the effectiveness of chromotherapy on textile materials through visual examination and customers questionnaires evaluating colors and their relationship with emotions.</p> 2024-06-29T00:00:00+00:00 Copyright (c) 2024 Apeksha Tallam, Mokanaasri E https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1090 DESIGNING SUMMER WEAR APPAREL BY USING KUTHAMPULLY KASAVU SAREES 2024-07-01T04:45:07+00:00 Gopika N Sasi gopikasasi01@gmail.com Sadhna dr.sadhna345@gmail.com <p>The Kerala saree, sometimes referred to as the Kasavu saree in the region, is a moving representation of the rich cultural legacy ingrained in Kerala, India. These sarees, which are crafted by the expert craftspeople of the Devanga Chettiar group, which is based in Kuthampully, a small town in the Thrissur district, are the embodiment of centuries' worth of elaborate artistry and tradition. In the sleepy village of Kuthampully, which has a population of more than two thousand, there is an unflinching commitment to celebrating and preserving this ancient weaving heritage This study investigates the traditional Kasavu sarees and their contemporary applications through a mixed-methods approach, integrating both qualitative and quantitative research techniques. The design process involved sourcing raw materials from Kuthampully, creating prints with reactive dye and smudge techniques. This study not only preserves the heritage of Kasavu sarees but also demonstrates their adaptability in modern fashion, offering a sustainable and innovative integration of traditional textiles into contemporary Western-style garments. This sustainable approach to fashion is not just a trend but a way to inspire change in the industry.</p> 2024-07-01T00:00:00+00:00 Copyright (c) 2024 Gopika N Sasi, Dr Sadhna https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1088 DESIGNING CLOTHING INSPIRED BY AVERSION THERAPY TO CREATE AWARENESS 2024-05-08T09:00:38+00:00 Shravanthi Polavarapu shravanthipolavarapu123@gmail.com Sadhna dr.sadhna345@gmail.com <p>To assist people in kicking cancer-causing habits, Fashion Fights Cancer presents a cutting-edge fashion collection that is modelled by aversion treatment methods. By combining psychology and fashion, this innovative method offers a special tool to encourage healthy lives and reduce the incidence of cancer. This collection offers an innovative and captivating approach to assist people in breaking bad habits by implementing the ideas of aversion therapy, which involves linking unpleasant stimuli with negative behaviours to prevent their recurrence. Every article of clothing in this collection is designed with attention to arouse feelings or visual signals that set up subconscious unpleasant reactions associated with particular actions that cause cancer. With thoughtfully chosen textures, colours, patterns, and design aspects, these pieces serve as concrete deterrents and reminders, encouraging wearers to reevaluate their decisions and make good transitions toward healthier ones. Fashion Fights Cancer allows people to address their habits in a novel and effective way by incorporating psychological concepts into fashion design. This compilation increases awareness of the link between lifestyle decisions and cancer risk while also promoting personal development. Fashion Fights Cancer promotes proactive health behaviours and emphasizes prevention in the fight against cancer by starting conversations and questioning social conventions through fashion. People are inspired to take control of their well-being and make wise decisions that prioritize long-term health and vitality thanks to this creative marriage of fashion and psychology. In this study, the clothes in the collection are designed to make people feel uncomfortable about habits that can cause cancer. They use colours, textures, and designs to remind people of these habits, encouraging them to think about making healthier choices instead. The goal is to use creativity to help people change their habits and improve their health. Combining fashion with psychology wants to help people understand how their lifestyle choices can affect their chances of getting cancer. They hope to inspire people to take better care of themselves and prevent cancer by starting conversations and encouraging healthy behaviours. This method also shows how using creative activities, like making clothes, can support people who are dealing with cancer.</p> 2024-05-08T00:00:00+00:00 Copyright (c) 2024 Shravanthi Polavarapu, Sadhna https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1087 PRODUCT DIVERSIFICATION FOR SUSTAINABILITY INSPIRED BY TRADITIONAL ROGAN PRINTING OF GUJARAT 2024-06-05T05:19:35+00:00 Sakshi Khalkar khalkar.sakshi2000@gmail.com Sadhna dr.sadhna345@gmail.com <p>The age-old artistic practice of rag painting, which is practiced in Gujarat, Peshawar, and Sindh. It involves using a stylus to expertly apply a thick paste made of vegetable colours and castor or linseed oil onto fabric. The Persian origin of the term "Rogan" means "oil-based," emphasizing the process of heating and forming castor oil in cold water to create a viscous material. This art form was once quite popular among the Muslim Khatris group in Gujarat, and it is historically credited to the Afridis, a community of Syrian descent. After the first impression, the cloth is carefully folded to create a mirrored design. The artists used their palms to apply body-temperature paint. Rogan painting, which is well-known for its rich colours and intricate designs that frequently incorporate floral themes, animals, and regional cultural features, has faced challenges due to low awareness and the rise of low-cost, automated textiles. However, there has been a resurgence in recent years, contributed to increased tourists, support from non-profits and local cooperatives, and the prestige of winning awards and recognition. This paper gave insights into the ideation of incorporating and being inspired by Rogan art motifs into product diversification with contemporary designs through embroidery for garment collections.</p> 2024-06-05T00:00:00+00:00 Copyright (c) 2024 Sakshi Khalkar, Sadhna https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1083 AN OVERVIEW OF TRADITIONAL KANCHIPURAM SILK SAREES 2024-06-13T05:00:22+00:00 Nellutla Keerthi mokanaadevreddy.98@gmail.com Mokanaa Sri E mokanaadevreddy.98@gmail.com <p>Kanchipuram Silk Sarees are among the most desired traditional wear for the ever-bothersome question of elegance and prestige of culture, as well as for the legendary history of this district and the brilliantly exclusive craftsmanship combining this textile. South Indian bridal culture has existed for ages, and the Kanchipuram silk saree has been a ruling trend among more sophisticated ladies for a long time. The charming silk sarees, designed individually with gold or silver zari and pure silk threads, from Kanchipuram, a town in Tamil Nadu, are examples of the textile industry's brilliant creations. Kanchipuram Silk Sarees are a paragon of taste and history for their intricate craftsmanship that depicts their exclusive weaving styles, choice of luxury materials, and everlasting patterns. These sarees convey the rich textile legacy of our country and mesmerise worldwide fashion enthusiasts with their extraordinary combination of culture and modernity. They are still worn as a form of importance during events and passed down as family heirlooms because they are truly outstanding pieces. This paper covered the historical value, manufacturing methods, current trends, market identification, and cultural importance of Kanchipuram silk sarees in contemporary times. It also thoroughly describes the features and their still-thriving cognizance today in eastern Indian fabrics. In addition, the SWOT analysis included in this study highlights the strengths, weaknesses, opportunities, and threats associated with the Kanchipuram silk industry. Elements of the fabric, including durability and brilliance, as well as intricate patterns and motifs, are the main selling points for maintaining its rich cultural legacy.</p> 2024-06-13T00:00:00+00:00 Copyright (c) 2024 Nellutla Keerthi, Mokanaa Sri E https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1079 UNLOCKING THE COLOURS WITHIN A CHILD'S EDUCATIONAL GUIDE TO ABSTRACT ART 2024-06-04T06:21:53+00:00 Vivek Velayutham vivekvelayutham@gmail.com Raman K ramangcas@gmail.com <p>This paper explores the potential of abstract art as a tool for nurturing creativity and fostering artistic understanding in children. Drawing upon existing research and educational practices, it proposes a multi-faceted approach to introducing and engaging children with abstract art, ultimately advocating for its role in enriching childhood development. Children's vibrant imaginations flourish in the boundless realm of abstract art. This guide proposes a multi-sensory approach to unlock their creativity and artistic understanding. Through playful exploration, open-ended questioning, and encounters with diverse materials and artists, children discover the power of colour, shape, and emotion in abstract expression. This journey nurtures their artistic skillset and cultivates critical thinking, self-confidence, and a deeper connection to the world around them. Unlocking the colours within empowers children to become artists and well-rounded individuals equipped to embrace the beauty and possibilities of a creative life.</p> 2024-06-04T00:00:00+00:00 Copyright (c) 2024 Vivek Velayutham, Raman K https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1076 ICONOGRAPHY OF TWELVE SCULPTURES OF THE STATE MUSEUM OF BHUBANESWAR 2024-06-15T09:03:03+00:00 Ratnakar Mohapatra ratnakar.mohapatra@kiss.ac.in <p>The iconography of six Shakta and six Vashnavite sculptures of the State Museum of Bhubaneswar is the main aspect of Odishan sculptural art in Eastern India. Saktism is a very important cult among the Hindus in all over Odisha as well as India. The beginning of Sakti cult in Odisha may be traced back to the days of Mahabharata. The growing popularity of the Sakti cult in Odisha is evident from the placing of independent sculptures of Sakti. The State Museum of Bhubaneswar has preserved a good number of the Sakta sculptures, which are collected from the different parts of the state. Among these, six Sakta sculptures are discussed in this article. The Vaishnavism was become widespread in the state of Odisha in the past. The cult of Gopinath Krishna was made popular during the Ganga era of Odiasha. The Ganga period marked the climax of Vaishnavism in Odisha. Some of the Vaishnavite sculptures are collected from different parts of Odisha and now these are preserved in the State Museum for public display. Among the preserved Vashnavite sculptures of the State Museum, two Varaha, two Krishna and two Vishnu images are also discussed in the present article. The above twelve sculptures of state museum are the well workmanship of the sculptors of the medieval Odisha. In fact, the above twelve sculptures are very important for iconographical study. That is why; the aim of this article is to highlight the iconography of twelve preserved sculptures of Odisha State Museum, Bhubaneswar.</p> 2024-06-15T00:00:00+00:00 Copyright (c) 2024 Ratnakar Mohapatra https://granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/1072 EVOLUTION OF BELTS FROM BRONZE AGE TO MODERN FASHION STATEMENTS 2024-07-01T04:45:11+00:00 Allu Poshitha Rajeswari poshitha.rajeswari@gmail.com Greeshma S. greeshma2551997@gmail.com <p>Across history, belts have evolved from their practical beginnings to become potent emblems of prestige, style, and cultural expression. Belts have come a long way from their utilitarian origins as instruments for carrying weapons in the Stone Age to their current position as opulent fashion accessories. The historical development of belts is examined in this essay, along with their functions in prehistoric times, the Middle Ages, the Renaissance, and the Modern Era. It explores the social significance of belts, how their form and function have evolved, and how they have continued to impact fashion trends. The study also addresses future directions and present trends in belt design, including technical advancements, cultural influences, and sustainability initiatives. By use of a historical context and current development analysis, this paper delves into the history of belts and its future trends and advancements.</p> 2024-07-01T00:00:00+00:00 Copyright (c) 2024 Allu Poshitha Rajeswari, Greeshma S.