DIGITAL AESTHETICS IN THE AGE OF MACHINE LEARNING

Authors

  • Dr. Jyoti Upadhyay Associate Professor, School of Information Technology, Rungta International Skills University, Bhilai, Chhattisgarh, India
  • Simranjeet Nanda Centre of Research Impact and Outcome, Chitkara University, Rajpura 140417, Punjab, India
  • Dr. Gayatri Nayak Associate Professor, Department of Computer Science and Engineering, Siksha 'O' Anusandhan (Deemed to be University), Bhubaneswar, Odisha, India
  • Mr. YuvrajSinh Sindha Assistant Professor, Department of Interior Design, Parul Institute of Design, Parul University, Vadodara, Gujarat, India
  • Mohit Malik Assistant Professor, School of Business Management, Noida International University, India
  • Dr. T. Jackulin Professor, Department of Computer Science and Engineering, Panimalar Engineering College, India
  • Vijaya Ravsaheb Khemnar Department of Engineering, Science and Humanities, Vishwakarma Institute of Technology, Pune 411037, Maharashtra, India

DOI:

https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6892

Keywords:

Digital Aesthetics, Machine Learning, Generative Art, Human–AI Creativity, Diffusion Models, Aesthetic Evaluation, Algorithmic Art

Abstract [English]

The speed with which machine learning is becoming deeply embedded in creative production, curation, and interpretation has radically altered digital aesthetics. The classical aesthetic theory has difficulty explaining algorithmic authorship, forming data driven styles, and hybrid human-AI creativity, which present conceptual and methodological gaps in the research of contemporary art. The paper explores the role of machine learning models in changing aesthetic generation, evaluation and perception as a part of digital art ecosystems. The main goal is to critically examine the aesthetic effects of learning based systems in evaluating their performance in creating, being interpretable and aligning with a specific culture. The study is made to be both computational and quantitative with a qualitative analysis. Image synthesis and style transfer, aesthetic scoring on pre-defined digital art datasets by using convolutional, transformer and diffusion based models are studied. The measurement of performance is done in objective metrics such as FID, SSIM, LPIPS and the accuracy of the aesthetic prediction, and the human expert test scores of perceived originality, coherence, and expressive quality. Findings indicate that diffusion models are better than GAN baselines, with a 21.4 percent decrease of FID and 13.6 percent increase in perceived aesthetic quality. Transformer based evaluators enhance the accuracy of aesthetic classification of 74.2 percent to 86.9 percent over handcrafted features. The qualitative data indicate the growth of stylistic diversity but demonstrate the threat of homogenization and cultural bias. On the whole, the research is a valuable source of empirical data and theoretical understanding of machine learning-inspired aesthetics, which can be used in responsible, interpretable, and culturally sensitive digital art practices in future interdisciplinary creative research.

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Published

2025-12-28

How to Cite

Upadhyay, J., Nanda, S., Nayak, G., Sindha, Y., Malik, M., T. Jackulin, & Khemnar, V. R. (2025). DIGITAL AESTHETICS IN THE AGE OF MACHINE LEARNING. ShodhKosh: Journal of Visual and Performing Arts, 6(5s), 56–65. https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6892