A HISTORICAL AVANT-GARDE: FORM AND AFFECT IN THE WORKS OF MARJANE SATRAPI

Abstract [English]

This paper examines the evolution of the graphic novel from its post-comix roots in the mid-1980s into a serious literary medium, led by founding figures like Art Spiegelman, Alan Moore, and Frank Miller. It argues that the form's maturation was driven by a crucial synthesis of sophisticated, "adult" content and deliberate formal experimentation. Platforms like RAW magazine championed artistic diversity, while creators broke from the Comics Code Authority to explore complex themes of history, autobiography, and politics. This shift was further enriched by transnational dialogues, particularly with British and European artists, which challenged domestic comic traditions and encouraged greater cultural openness. This development is exemplified in the work of Marjane Satrapi, whose graphic novels serve as a primary case study. The analysis details how Satrapi masterfully adapts formal elements from the rigid grids and “historical avant-garde” style of Persepolis to the fluid, diary-like layouts of Embroideries to match the specific emotional and historical weight of each narrative. By examining this trajectory, the paper concludes that the graphic novel’s legitimacy as a serious literary form was secured through this dynamic union of ambitious content and an evolving visual language.