EXPLORING THE DIVIDE: MODERNITY AND PRIMITIVISM IN ARUN JOSHI’S ‘THE STRANGE CASE OF BILLY BISWAS’

Authors

  • Dr. Indu Tyagi Assistant Professor Department of English PCM S.D. College for Women, Jalandhar

DOI:

https://doi.org/10.29121/shodhkosh.v5.i1.2024.3787

Keywords:

Modernity, Primitivism, Identity, Arun Joshi, The Strange Case of Billy Biswas, Alienation, Tribal Values, Spiritual Regeneration, Urban Materialism, Existential Crisis

Abstract [English]

This research paper examines the thematic tension between modernity and primitivism in Arun Joshi's The Strange Case of Billy Biswas, focusing on the protagonist's quest for self-discovery and spiritual regeneration. The novel criticizes post-independence Indian society's moral and cultural decay, juxtaposing the superficial materialism of urban elites with the spiritual authenticity of tribal life. Billy Biswas, disillusioned with modern civilization, abandons its artificiality in favor of a primitive existence that restores his sense of purpose and connection with nature. The story vividly depicts his transformation, revealing both the hollowness of modernity and the redemptive power of primal values. Joshi's juxtaposition of the civilized world with tribal innocence serves as a profound meditation on identity, existential alienation, and the search for authenticity in a mechanized world.

References

Ghosh, Tapan Kumar. Arun Joshi’s Fiction: The Labyrinth of Life. Prestige Books, New Delhi, 1996.

Joshi, Arun. The Strange Case of Billy Biswas. Orient Paperbacks, New Delhi, 1986.

Sharma, Siddarth. Arun Joshi’s Novels: A Critical Study. Atlantic Publishers, New Delhi, 2004.

Bhatnagar, M. K. The Novels of Arun Joshi: A Critical Study. Atlantic Publishers, New Delhi, 2001.

Bhatnagar, O.P. “The Art and Vision of Arun Joshi in Dhawan.” 1986.

Dhawan, R.K. The Novels of Arun Joshi. Prestige Books, New Delhi, 1992.

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Published

2024-01-31

How to Cite

Tyagi, I. (2024). EXPLORING THE DIVIDE: MODERNITY AND PRIMITIVISM IN ARUN JOSHI’S ‘THE STRANGE CASE OF BILLY BISWAS’. ShodhKosh: Journal of Visual and Performing Arts, 5(1), 1554–1557. https://doi.org/10.29121/shodhkosh.v5.i1.2024.3787