A STUDY ON TRADITIONAL TO COMMERCIAL ASPECTS OF THE BENGAL PATA-PAINTING REVOLUTION

Authors

  • Debabrata Das Assistant Professor (Dept. of Visual Arts) FDA, Poornima University, Jaipur, Rajasthan
  • Dr. Gunja Soni Professor (Dept. of Fashion & Textile) FDA, Poornima University, Jaipur, Rajasthan

DOI:

https://doi.org/10.29121/shodhkosh.v5.iICETDA24.2024.2034

Keywords:

Pata-Painting, Performing, Patuas, Storytelling, Wandering Folk Art, Mythological Stories, Global Art Market, Demands Of Intellectual Urban Members

Abstract [English]

Pata-Painting is a distinct visual representation of West Bengal and Orissa associated with various songs and related Paintings. These artworks which are always aesthetically and visually rich, narrate the social, cultural, religious, and political incidents performed by the patuas (Pata-Painters). This study investigates how the tradition has been recognized as storytelling and wandering folk art. An analytical observation of the Pata-paintings, an extensive literature review, and interviews with the Patuas played a distinctive role in exploring the objectives of the study. From the Depictions of Hindu gods and Goddesses, mythological stories, and scenes from common people’s daily life, this study stated its adaptation and evolution over the last two decades. Especially the use of materials and techniques adopted by the new generation of artists. Over the last few centuries, artists have explored the global art market by participating in folk festivals and handicraft fairs inside and outside of the states. By focusing on these unique art practices of West Bengal, this study tries to reflect the enduring historical heritage and cultural significance to enhance and preserve this art form.
This study also aims to indicate the current phenomenon of Pata-painting and how it is serving the demands of intellectual urban members of the metro cities.

References

Zanatta maura and others,2021. Facing the Pandemic: A perspective on Patachitra Artists of West Bengal. https://doi.org/10.3390/arts10030061 DOI: https://doi.org/10.3390/arts10030061

Hauser Beatrix, 2002. From Oral Tradition to “Folk Art”: Reevaluating Bengali Scroll Paintings. https://www.jstor.org/stable/117879 DOI: https://doi.org/10.2307/1178679

Singh ankita, 2019, Kalighat and pattachitra, https://www.researchgate.net/publication/337210924

Sarkar S.K, 2017. Storytelling Art: A Reconsideration of Patuas Performance. https://www.theachieversjournal.com/index.php/taj/article/view/202

Samantaray Prafulla kumar, 2005, Patta Chitra-Its Past and Present.

Das, A. (2023). A Study of Scroll Painting in Indian Art With Special Reference of West Bengal Folk Art. ShodhKosh: Journal of Visual and Performing Arts, 4(2SE), 98–108. https://doi.org/10.29121/shodhkosh.v4.i2SE.2023.485 DOI: https://doi.org/10.29121/shodhkosh.v4.i2SE.2023.485

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Published

2024-10-05

How to Cite

Das, D., & Soni, G. (2024). A STUDY ON TRADITIONAL TO COMMERCIAL ASPECTS OF THE BENGAL PATA-PAINTING REVOLUTION. ShodhKosh: Journal of Visual and Performing Arts, 5(ICETDA24), 316–325. https://doi.org/10.29121/shodhkosh.v5.iICETDA24.2024.2034