SPLENDID ENCOUNTERS: INTER-RACIAL INTIMACY AND EAST INDIA COMPANY IN EIGHTEENTH CENTURY INDIA

Authors

  • Binoy Bhushan Agarwal Assistant Professor, Department of English, Aryabhatta College, University of Delhi, 110021, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i4.2024.1458

Keywords:

Coastal, Domesticity, Inter-Racial, Going Native, Port Cities

Abstract [English]

This article aims to offer insights on the efflorescence of East India Company along coastal areas of the Indian Ocean and its consequent flourishing into a British empire with base in, what later transformed into urban mercantile centers and port cities of Surat, Madras, Bombay and Calcutta. It further examines the emergence of the phenomenon of going native that was prevalent until late eighteen century in India; a picture that was gradually replaced by the polarized versions of east-west relationship.

References

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Jayasuriya, S. D. S. (2008). The Portuguese in the East: A Cultural History of a Maritime Trading Empire. I.B. Tauris Academic Publishers.

Moorthy, S., & Jamal, A. (2010). Indian Ocean Studies: Cultural, Social, and Political Perspectives (1st ed.). Routledge. DOI: https://doi.org/10.4324/9780203867433

Pettigrew, W. A., & Gopalan, M. (Eds.). (2017). The East India Company, 1600-1857: Essays on Anglo-Indian Connection. Routledge. DOI: https://doi.org/10.4324/9781315563466

Silva, P. de. (2018). Colonial Self-Fashioning in British India, c. 1785-1845: Visualising Identity and Difference. Cambridge Scholars Publishing.

Unknown. (c. 1820). A European in Delhi watching a nautch and smoking a hookah [Oil on canvas]. British Library. https://commons.wikimedia.org/wiki/File:A_European_in_Delhi_watching_a_nautch_and_smoking_a_hookah_-_Anon,c.1820-_BL_Add.Or.2.jpg

van Ryne, J. (1754). Bombay on the Malabar coast belonging to the East India Company of England [Oil on canvas].

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Published

2024-04-30

How to Cite

Agarwal, B. B. (2024). SPLENDID ENCOUNTERS: INTER-RACIAL INTIMACY AND EAST INDIA COMPANY IN EIGHTEENTH CENTURY INDIA. ShodhKosh: Journal of Visual and Performing Arts, 5(4), 144–149. https://doi.org/10.29121/shodhkosh.v5.i4.2024.1458