SATYAJIT RAY AS A DOCUMENTARIAN: A STUDY ON RABINDRANATH TAGORE AND SUKUMAR RAY

Authors

  • Dr. Debastuti Dasgupta Assistant Professor, Department of Journalism and Mass Communication, Asutosh College, Kolkata, India
  • Aritra Chakrabarti Freelance Documentary Maker, Kolkata, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i2.2024.1395

Keywords:

Documentary Film, Satyajit Ray, Rabindranath Tagore, Sukumar Ray

Abstract [English]

Satyajit Ray, renowned globally for his cinematic brilliance, also left an indelible mark as a documentary filmmaker. It is to be mentioned here that the literatures and writings on Ray’s documentary are very less in number. Ray's documentaries on Rabindranath Tagore encapsulate the multifaceted persona of the Nobel laureate, exploring his literary contributions, artistic vision, and philosophical ideologies. Through meticulous research and visual finesse, Ray elucidates Tagore's timeless relevance, weaving together archival footage and dramatic reenactments to present a holistic portrayal of the poet's life and legacy. In his exploration of Sukumar Ray, Satyajit Ray ventures into the whimsical world of children's literature and satire to commemorate the centenary birth anniversary.
This paper tries to discuss on documentaries made by Ray with special emphasis on Rabindranath Tagore and Sukumar Ray. Besides reviewing relevant literatures, the researchers have tried to describe two documentaries vividly. In addition to this, they also have taken insightful interviews of three literary and film scholars to understand Ray as documentarian. The interviews were analysed and conclusion have been drawn on the basis of that. The paper shows, beyond mere biographical documentation, Satyajit Ray's documentaries serve as nuanced reflections on the socio-cultural milieu of their respective times, offering profound insights into the artistic legacies of Rabindranath Tagore and Sukumar Ray. The paper serves to highlight the intricate nature of Ray's documentary legacy and its ongoing significance in influencing conversations within Indian cinema.

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References

Bondebjerg, I. (2014). Documentary and Cognitive Theory: Narrative, Emotion and Memory. Media and Communication, 2(1), 13-22. https://doi.org/10.17645/mac.v2i1.17 DOI: https://doi.org/10.17645/mac.v2i1.17

Maji, S. (2017). Reading the ‘Facts’ in Satyajit Ray’s Documentary Films: A Critical Overview. DOC online - Revista Digital de Cinema Documentário, 147-165. http://dx.doi.org/10.20287/doc.d21.ar5 DOI: https://doi.org/10.20287/doc.d21.ar5

Ray, S. (Director). (1961). Rabindranath [Motion Picture].

Ray, S. (1987). Sukumar Ray [চলচ্চিত্র].

Robinson, A. (1989). The Inner Eye. California: I.B. Tauris & Co Ltd.

Sharif, M. (2018). Postcolonial Indian Nonfiction Cinema: The Documentaries of Satyajitr Ray.

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Published

2024-07-22

How to Cite

Dasgupta, D., & Chakrabarti, A. (2024). SATYAJIT RAY AS A DOCUMENTARIAN: A STUDY ON RABINDRANATH TAGORE AND SUKUMAR RAY. ShodhKosh: Journal of Visual and Performing Arts, 5(2), 227–240. https://doi.org/10.29121/shodhkosh.v5.i2.2024.1395