|
WHY THEATRE? PERSPECTIVES FROM INDIAN THEATRE ARTISTES IN THE CONTEXT OF NĀṬYAŚĀSTRA
Nāṭyaśāstra is an Indian ancient Sanskrit text on dramaturgy written by Āchārya Bhartmuni in the 5th century. The story of the origin, development, and evolution of Nāṭyaśāstra is described in the very first chapter of the text. It also reveals the emergence of theatre practice. According to Nāṭyaśāstra, theatre serves the purpose of entertaining as well as educating its audiences. This paper aims... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
SATIRE AND ITS RHYTHM THROUGH THE LENS OF CARICATURE AND CARTOON PRACTICES IN INDIA: A REVIEW
The major key factor of modern ‘caricature’ art has been not only constricted to only the voice of society and the political domain, neither is it still subjected to newspapers, magazines and journals, banners, templates, and posters but it is legitimated to be spontaneous equally an ambiguous ‘etiology’ of art practice having its inseparable bonding through 21st century as ‘digital expression’ as... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
PIONEERING MOTHER’S PREFERENCES FOR CHILDREN’S WEAR
The choices mothers make in selecting attire for their children not only reflect personal tastes but are influenced by various sociocultural, practical, and individual factors. The present study examined the preferences of mothers concerning clothing choices for their children. The structured questionnaire was prepared for the study which was conducted in Prayagraj for better understanding the... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
KATHAK DANCE EDUCATION AS A SOURCE OF SPIRITUAL DEVELOPMENT
In a constant effort towards development in the physical, intellectual, social, and emotional wellbeing, the human tendencies always keep visiting and revisiting the spiritual dimension for an upper sense of validation. All human activity somehow takes refuge and develops through the presence of this spiritual faculty. Where classical dance holds a well-esteemed status in the deliverance of the... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
MAPPING TRADITION AND MODERNIZATION: A STUDY ON THE EVOLUTION OF COSTUMES OF THE TRIPURI AND REANG WOMEN IN TRIPURA
Tripura is a land-locked state in Northeast India that comprises of multiple communities. Majorly dominated by the Tribal and Bengali communities, this state has witnessed drastic changes in its culture and heritage. Since partition, a huge demographic and ethnographic change has ushered in major challenges for the tribal communities. One such major change was witnessed in the evolution of Tripuri... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
UNFOLDING THE VISUAL ABBREVIATIONS: A SEMIOTIC READING OF ACADEMY AWARD- WINNING FILM PARASITE DIRECTED BY BONG JOON-HO
The film has a strong relationship with language as both are means of communication. Film’s affinity to language is also because both carry ideas in the form of signs. When language uses graphic and phonemic signs for signification, films use visual signs. From a poststructuralist perspective, the signs in a visual narrative make multiple readings possible as in written and spoken language, and... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
DESIGN FOR SUSTAINABILITY USING A CRAFT-BASED HUMAN-CENTRIC APPROACH AND CONSUMER PARTICIPATION
It is often perceived that craft means no technology, primitive methods, and materials that have zero or significantly less impact on the actual needs of people. However, this research is trying to trace the craft's nature, importance, and potential in creating human-centric designs with sustainable methods. This research discusses the role of craft and design for a sustainable future. The intent... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
DESIGN FOR SUSTAINABILITY USING A CRAFT-BASED HUMAN-CENTRIC APPROACH AND CONSUMER PARTICIPATION
It is often perceived that craft means no technology, primitive methods, and materials that have zero or significantly less impact on the actual needs of people. However, this research is trying to trace the craft's nature, importance, and potential in creating human-centric designs with sustainable methods. This research discusses the role of craft and design for a sustainable future. The intent... |
|||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
AESTHETICS OF JACKAL’S JUDGEMENTS IN THE FOLKTALES OF TRIBAL COMMUNITIES OF JHARKHAND
Aesthetics, the philosophical perspective that guides the interpretation of an art or its elements for beauty and taste, is not as a simple tool as it appears to be, and its complexity rests on its association with multiple principles and concerns. As located by Immanuel Kant in his The Critique of Judgement Kant (1790/1928), the presence of faculty of judgement consists two parts: ‘critique of... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||
|
PYAAVS AND PAANPOIS - A STUDY OF THE CHANGING FACE OF PUBLIC WATER DISPENSING UNITS OF PUNE
Water has always been an essential part of human civilization, shaping urban landscapes and influencing social life. The drinking water fountains built during colonial period are locally called as pyaavs while water dispensing units are generally called as paanpois. Two old drinking water fountains and some new water dispensing units are located within the Pune Cantonment region. Whereas the... |
|
||
| https://www.granthaalayahpublication.org/Arts-Journal/ShodhK... | ||||